THE Bournemouth Symphony Orchestra’s annual Benevolent Fund Concert attracted some major talent to its fee-free ensemble which was directed by firm favourite and enthusiastic, long-time supporter Owain Arwel Hughes.

Joined by the lovely Jennifer Pike as soloist in Sibelius’ Violin Concerto, Hughes drew a performance from his players that released a powerful sense of purpose and impetus in support of the soloist. Pike’s gloriously full-toned account began in rarefied high-register and by the time the central cadenza had ignited a virtuosic fire the momentum was in full swing. Her depth of cogency and sensitivity within the Adagio enveloped both the eloquence and edginess of its form and taking on the finale’s powerful drive, engendered principally by timpani and violas, Pike’s hugely impressive gestures coalesced into a superb performance.

Opening the programme with Brahms’ Academic Overture and having the Bournemouth Symphony Chorus on hand resulted in the unusual spectacle of a choral rendition in the final peroration.

The BSC’s vocal contribution to Tchaikovsky’s 1812 Overture gave the various hymns and anthems expressive sonority, the orchestra naturally conveying the subtle contrasts and bringing a thundering conclusion to this viscerally dramatic showpiece.

Tchaikovsky’s Swan Lake Suite was given veritable symphonic status under Hughes with a tremendous opening number, following through in spirited rhythms and a finale infectiously graced by the oboe-led tune going a-pace and crammed with electrifying energy.

Outgoing Benevolent Fund chair Janice Thorgilson was presented with a bouquet.